ĭick Clark Productions later acquired ownership of the concert from Sargent. According to filmmaker John Landis's DVD commentary for the film's trailer, he and fellow ninth-grade classmate David Cassidy were in the audience for the show. Among them were Teri Garr and Toni Basil. Throughout the show, numerous go-go dancers performed in the background or beside the performers, under the direction of choreographer David Winters. Diana Ross went on to work with Binder on several of her television specials, including her first solo television special and her famous Central Park concert, Live from New York Worldwide: For One and for All. The group had three chart-topping singles from July 1964 to December 1964, with the album Where Did Our Love Go reaching number two. The show also featured the Supremes during their reign as the most successful female recording group of the era.
Marvin Gaye, backed by Shindig! favorites the Blossoms, sang several of his greatest hits.
Claudette, who retired from touring for health reasons, remained as a non-touring member of the Miracles, recording with the group in the studio only.
The Miracles ( Smokey Robinson, Bobby Rogers, Pete Moore, Ronnie White and Marv Tarplin) had, three months earlier, lost the services of their sole female member, Claudette (Mrs. Motown Records, which by 1964 had experienced its first wave of chart-busting crossover success, was represented by three of its top acts: the Miracles, Marvin Gaye, and the Supremes. In a web-published interview, Binder takes credit for persuading the Stones to follow Brown, and serve as the centerpiece for the grand finale in which all the performers dance together onstage. In interviews, Keith Richards of the Rolling Stones has claimed that choosing to follow Brown and the Famous Flames ( Bobby Byrd, Bobby Bennett, and Lloyd Stallworth) was the worst mistake of their careers, because no matter how well they performed, they could not top him. Show is particularly well known for the performance of James Brown and the Famous Flames, which features his legendary dance moves and explosive energy. It is considered one of the seminal events in the pioneering of music films, and more importantly, the later concept of music video. By capturing more than 800 lines of resolution at 25 frames per second, the video could be converted to film by kinescope recording with sufficiently enhanced resolution to allow big-screen enlargement. The film was the second of a small number of productions that used the system. The film was shot by director Steve Binder and his crew from The Steve Allen Show, using a precursor to high-definition television, called " Electronovision," invented by the self-taught "electronics whiz" Bill Sargent (H.W. Jack Nitzsche was the show's music director.
Sloan and Steve Barri, the song erroneously asserting that the Rolling Stones are from Liverpool. Jan and Dean emceed the event and performed its theme song, "Here They Come (From All Over the World)", written by Los Angeles composers P.F. The best footage from the two concert dates was combined into the film, which was released on December 29, 1964. Show performers in Rock and Roll Hall of Fame
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